Vol. 26 No. 55 (2021): Distopia na arte contemporânea: uma estética de resistência ou de submissão?

View Vol. 26 No. 55 (2021): Distopia na arte contemporânea: uma estética de resistência ou de submissão?

Editors:

Ângela Maria Dias, Universidade Federal Fluminense, Brasil and Maria Aparecida Ribeiro, Universidade de Coimbra, Coimbra, Portugal.

Season: may.-aug. 2021.

DOI: https://doi.org/10.22409/gragoata.v26i55
Published: 2021-05-01

Presentation

  • Dystopia in Contemporary Literature and Art: Aesthetics of Resistance or of Submission?

    Ângela Maria Dias, Maria Aparecida Ribeiro
    451-461
    DOI: https://doi.org/10.22409/gragoata.v26i55.49847

Reviews

  • Thinking the Limits: Contemporary Art and the Mímesis

    Eduardo da Silva de Freitas
    841-851
    DOI: https://doi.org/10.22409/gragoata.v26i55.47391

Dystopia in Contemporary Literature and Art: Aesthetics of Resistance or of Subm

  • Other spaces in the visual arts

    Ricardo Fabbrini
    462-489
    DOI: https://doi.org/10.22409/gragoata.v26i55.47755

  • Dystopia and Utopia in the Work of David Simon: a Reading of The Plot Against America

    André Carvalho
    490-520
    DOI: https://doi.org/10.22409/gragoata.v26i55.47399

  • Material Variations, Form and Content Maintenances: Dystopias to Children and Young People

    Carlos Gontijo Rosa, Beth Brait
    521-557
    DOI: https://doi.org/10.22409/gragoata.v26i55.45650

  • Dystopia in the Anthropocene, or Representing/Re-presenting the Interregnum

    Sonia Torres
    558-587
    DOI: https://doi.org/10.22409/gragoata.v26i55.47745

  • “It didn’t Happen that Way”: The Role of Narrative Inconsistencies in Margaret Atwood’s Dystopia the Handmaid’s Tale

    Fernanda Nunes Menegotto, Elaine Barros Indrusiak
    588-619
    DOI: https://doi.org/10.22409/gragoata.v26i55.47376

  • Survival by Promise: Dystopian Fiction as Denouncer of the Capitalocene

    Eduardo Marks de Marques
    622-641
    DOI: https://doi.org/10.22409/gragoata.v26i55.47601

  • Political Dystopia in the Guise of Anthropo-Zoomorphism: Post-Human Dark Universes in Dystopian Fiction by Orwell and Ionesco

    Rosário Neto Mariano
    642-663
    DOI: https://doi.org/10.22409/gragoata.v26i55.48677

  • Apocalypses and Catastrophes: The Place of Dystopia in Contemporary Narratives of Angolan Literature and Cinema

    Carmem Lucia Tindó Secco
    664-688
    DOI: https://doi.org/10.22409/gragoata.v26i55.47011

  • Tell me Still, Angola the False Thing that is Dystopia

    Solange Luis
    689-717
    DOI: https://doi.org/10.22409/gragoata.v26i55.47864

  • Chronicle of an Announced Resistance: the Traces of Critical Dystopia in Bacurau, by Kléber Mendonça Filho and Juliano Dornelles

    José Wanderson Lima Torres, Wagner dos Santos Rocha
    718-748
    DOI: https://doi.org/10.22409/gragoata.v26i55.47273

  • The Revolt of Sacrificed Women

    Maria Conceição Monteiro
    749-765
    DOI: https://doi.org/10.22409/gragoata.v26i55.47465

  • Dystopia, the Anguish of Annihilation and the Radical Poetics of Relation

    Ana Paula Veiga Kiffer, Mariana Patricio Fernandes
    766-794
    DOI: https://doi.org/10.22409/gragoata.v26i55.47368

  • The Year of 1993: Dystopia and Human Rights

    Regina Zilberman
    795-819
    DOI: https://doi.org/10.22409/gragoata.v26i55.48213

  • Paisagem com Mulher e Mar ao Fundo: How to Forget the Flow and Backflow of Waves?

    Ângela Beatriz de Carvalho Faria
    820-840
    DOI: https://doi.org/10.22409/gragoata.v26i55.47650